NEON MUSEUM 08-22 NOVEMBER 2020 WARSAW
MINI ART GALLERY
TAIPEI 2020
Bum Bum Warsaw
New Taipei City
Taiwan 2019
ART zone 435
終於，我們又要辦畫展囉！這次我們申請到藝文中心來辦展覽，地點是在板橋435藝文特區，入場看展是免費的，歡迎大家抽空看展。我們共有兩個月的展覽，從八月至十月，即將來臨的展覽是波蘭藝術家丹尼爾·諾伯特·揚科夫斯基 DANIEL NORBERT JANKOWSKI，他是一位國際級的藝術家，他在波蘭、英國及其他國家辦過大大小小的展覽，有三十幾年繪畫的年資，除了繪畫，他還是一位專業攝影師，也在波蘭教攝影課程。他非常熱愛藝術，藝術是他的休閒嗜好，有設計的天分，藝術細胞非常活躍，擅長丙烯酸顏料來繪畫。取自於生活上的題材，用繪畫將美感呈現出來。
展出藝術家: 丹尼爾·諾伯特·揚科夫斯基
展期 DANIEL
NORBERT JANKOWSKI：八月二十四~九月二十二
地點：新北市板橋區中正路435號（大漢館）
開放時間：（館內）星期一~星期五 9:00~17:00
週六~週日 9:00~18:00
（館外） 6:00~22:00
免費入場
歡迎參觀指教
Teutsch Gallery
Warsaw 2019
Poland
Centrum Zarządzania Światem
New Taipei City
Taiwan 2018
Warsaw 2018
Poland
Warsaw 2018
Poland
Warsztat Warszawski
London 2016
England / United Kingdom
POSK Gallery
Multiple meanings of the concept of ‘sketch’ include, among others, initial project of a larger integrity, where the first implementation is the subject to further changes in activity or product, described in general categories without prevailing motif.
The term ‘sketch’ describes well the idea behind the latest works of Daniel Jankowski. His exhibition, presented at the end of summer in POSK Gallery in London, is a collection of pictures taken while wandering around and exploring the metropolis during the previous few months. His experiences and insightful observations of London neighbourhoods combine and form the elements of his photographs and give them the character of the reporter’s journey. The daily routines of the residents, caught during their everyday activities, be it painting city landscape by an artist standing at his easel, browsing through the secondhand books by passers-by at the street stall, or the moments of relaxation during a game of cricket and resting at the cafe table, those moments are captured by Jankowski's photographs here. Daily rhythm of this cosmopolitan, vibrant city is captured by the photos taken at the underground stations, crowded with people rushing in different directions. Besides, the very city is also the hero here, not only the historical symbols of British capital, the river Thames, the Westminster, but also the modern architecture, in the district of Southwark, in the vicinity of Tate Modern Gallery.
The common link of this somewhat nostalgic city landscape, is Jankowski's eye as the insightful observer standing aside, rather than fully participating.
He took his visual utterances with analogous, single-lens, reflex camera.
His use of wide perspective, creating subsequent shots in the background, framing birds-eye view, all give the impression of a silent, non-interfering observation.
---Anna Pacan, review.
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